The Official Distributor for Chelsea Rialto Restorations is Screen Archives
Entertainment in Linden, Virginia. Their website,www.screenarchives.com

is the last stop in any quest for motion picture soundtrack CD's.

Now Available in the Max Steiner series is DODGE CITY with THE OKLAHOMA KID.
Nearly all the Max Steiner restorations are prepared for the Brigham Young
University Film Music Archives. BYU maintains the Max Steiner Papers,
which includes the late composer's entire collection of acetate discs.
These were, for the most part, recorded live on the sound stage for
immediate playback at the original scoring sessions. James D'Arc of BYU initiated
the BYU/FMA Soundtrack CD series and is responsible for assigning talent
to every aspect of each project, including audio production, liner notes and layout.
DODGE CITY / THE OKLAHOMA KID not only contains two nearly complete
scores on a single CD, but also includes a mammoth, full-color, 72 page booklet
with liner notes by film historian and author of INSIDE WARNER BROTHERS,
Rudy Behlmer. Most of the Max Steiner scores are produced by
permission of Time-Warner Inc.

CR Studios and Screen Archives have also ventured into direct licensing of
musical scores from both Richard Feiner & Company and 20th Century-Fox.
From Richard Feiner, we have licensed the rights to the scores to Milton
Sperling's United States Pictures, which were originally released
through Warner Bros. (Sperling was Jack Warner's son-in-law!). Released-to-date
are DISTANT DRUMS: MAX STEINER AND THE UNITED STATES
PICTURES SCORES (which includes DISTANT DRUMS, MY GIRL TISA,
SOUTH OF ST. LOUIS and CLOAK AND DAGGER); PURSUED; and
Dimitri Tiomkin's THE COURT-MARTIAL OF BILLY MITCHELL.
The score for BILLY MITCHELL is only 34 minutes long, so the music has been
complimented with the actual soundtrack portions of the Court-martial.
A similar approach was taken with CR Studio's KING KONG album,
released by Rhino Records, in which the surviving 28 minutes
of isolated music tracks were accompanied by an aural adaptation of the
complete soundtrack.